My publications in 2020

orange and white letter b wall decor

Edited books and special issues

Book chapters

Journal articles

Reports

  • Rich, E., Lewis, S., Lupton, D. and Miah, A. (2020) Digital Health Generation? Young People’s Use of ‘Healthy Lifestyle’ Technologies. Bath: University of Bath, UK. Available at https://www.digitalhealthgeneration.net/final-report
  • Newman, C., MacGibbon, J., Smith, A. K. J., Broady, T., Lupton, D., Davis, M., Bear, B., Bath, N., Comensoli, D., Cook, T., Duck-Chong, E., Ellard, J., Kim, J., Rule, J., & Holt, M. (2020). Understanding Trust in Digital Health among Communities Affected by BBVs and STIs in Australia. Sydney: UNSW Centre for Social Research in Health. Available at http://doi.org/10.26190/5f6d72f17d2b5
  • Fox, B., Goggin, G., Lupton, D., Regenbrecht, H., Scuffham, P. and Vucetic, B. (2020) The Internet of Things. Report for the Australian Council of Learned Academies. Melbourne: ACOLA. Available at https://acola.org/wp-content/uploads/2020/10/hs5_internet-of-things_report.pdf

Other publications

Photo credit: Glen Carrie, Unsplash

Living with COVID-19 in Australia: the first year in photos

COVID novelty socks for sale, Inner South Canberra (December 2020)

As a social researcher who has specialised in writing about medicine and health for decades, I have engaged in many COVID-19-related projects this year. These include writing an initial agenda for social research on COVID and some commentary on this blog (here and here), recording some talks (here), coordinating a registry of Australian social research on COVID, putting together a topical map of COVID social research, publishing two articles in The Conversation (here and here) and developing the open access resource Doing Fieldwork in a Pandemic document.

I’ve also edited a special section of Health Sociology Review and a co-edited a book on the social aspects of COVID as well as co-authoring a book on face masks in the time of COVID, a report on marginalised communities’ trust in digital health data (including COVID-related data) and an article on people’s use of digital technologies for sociality and intimacy in a Media International Australia special COVID issue.

Another initiative I undertook as a form of documentation of life during COVID in 2020 was using my smartphone to photograph everyday experiences from my own perspective and in the areas in which I live and work (in Sydney and Canberra). I’ve taken 100 photographs and have now uploaded them to Flickr as an open access resource, available for use under the Creative Commons Attribution Sharealike (CC-BY-SA) license. Here’s just a small selection.

IMG_2161
Sign in public toilet at UTS Sydney campus (December 2020)
IMG_0206
Front page of The Canberra Times warning of ‘Christmas chaos’ due to outbreak of COVID on Sydney’s Northern Beaches (December 2020)
IMG_2158
Sign on Sydney City train (December 2020)
IMG_1917
Supermarket signs in Sydney City (July 2020)
IMG_1823
Petrol station signs in Inner South Canberra (April 2020)
IMG_1924
An empty Sydney Opera House forecourt during the first national lockdown (July 2020)
IMG_1796 (1) - Copy - Copy
Toilet paper shortages in Coles, Inner South Canberra (April 2020)

Top 10 tips for increasing your citations

Who doesn’t want more people to read and cite their work? Here’s some tips I have learnt along the way about what kind of publications attract attention and citations. They are most relevant for postgraduate students and academics in the humanities and social sciences.

1. Make sure you have a Google Scholar profile set up. People can then easily find your work all in one place. Google Scholar is much more inclusive of humanities and social sciences publications and citations than are the science-oriented citation databases such as Scopus or Web of Science.

2. Write books. My top-most cited publications are nine of my books. Some of these were published more than two decades ago and are still regularly cited.

3. Write about a diverse range of topics. This means a much wider readership for your work. It will also help keep you and your writing fresh and interesting, which in turn, will make you more interesting to your readers.

4. Publish in a wide range of journals. Ditto.

5. Be one of the first to write about a new topic or concept or apply a social theory in a new way. Get in early and you will become the ‘go to’ reference to cite.

6. Write ‘how to’ pieces. Here again, introductory publications that clearly outline how to apply a particular method or a new social theory will attract interest and attention.

7. Make your writing easily accessible: Use open access repositories such as your university’s e-repository or ResearchGate to publise your outputs and make them readily available to people. You can upload preprints or postprints of articles and book chapters, and ResearchGate makes it very easy for people to request a PDF of the published version and for you to supply it.

8. Use social media to spread the word about your new publications. Tweet, blog, notify Facebook special interest groups, make an introductory YouTube video.

9. If you write book chapters, make them readily available open access as soon as they are finalised. Book chapters can take ages to be published, but you can share preprints once they are ready and people can start citing them.

10. Be bold and take risks in your writing. Readers are attracted to new shiny things and will be more interested if you are trying to do something different or innovative.

A very COVID Christmas

With less than four weeks to go before Christmas, decorations are going up in shopping centres, public spaces and private homes. This year, excitement and anticipation are mixed with fear and uncertainty. Christmas 2019 was the last ‘pre-COVID’ celebration of that festival. We are now in the ‘post-COVID’ world: the term I give to the era after the world first heard about the unusual pneumonia-like illness affecting people in Wuhan at the very end of 2019.

In this first post-COVID Christmas, uncertainty reigns about how best to celebrate the festival. A range of COVID-themed Christmas decorations are readily found online. These include baubles featuring images of Christmas icons such as Santa Claus or cute reindeer wearing masks. The novel coronavirus itself can be found rendered in Christmas-themed decorations (dubbed ‘pandemic ornaments’) for trees: in bright green and red hues, gold and glittery or grouped with other COVID iconic objects such as toilet rolls and masks. Other COVID customised decorations declare 2020 as ‘The year we stayed home‘ or display the words ‘Merry Christmas’ together with a coronavirus symbol wearing a jolly Santa hat. A less merry tree ornament features the dread image of the mediaeval plague doctor’s mask.

Face masks themselves can be obtained for wear at gatherings with Christmassy-themed patterns. Even Christmas stockings designed for holding Santa gifts for young children can be purchased with COVID themes emblazoned on them (‘Purple Viral Particle Large Christmas Stocking‘, anyone?).

At first glance, given the devastation that the COVID crisis has wrought globally, these ways of commemorating the ‘COVID year of 2020’ may seem jarring, a tasteless example of commercial entrepreneurialism and disrespectful to the dead or those who have been cast into poverty because of losing employment. In many countries, such as the USA Brazil and India, coronavirus infections and COVID deaths are increasing daily, with little sign of abating. The world has recorded the grim total of nearly 1.5 million deaths from COVID (and this figure is likely a gross underreporting).

In many countries in which Christmas is traditionally a significant festival, such as the UK, people are being urged to form ‘bubbles’ with a small number of other households – or even to reconsider celebrating Christmas at all with gatherings. Fears are rightly held by health authorities in the USA for the possibility of Christmas-related surges of infections, due to people dropping their guard when meeting loved ones and not engaging in physical distancing, wearing masks or opening enough windows (in what will be very cold conditions for many people celebrating in the Northern Hemisphere).

In Australia, where the coronavirus at the moment is well-contained, federal and state governments have made pronouncements about the importance of opening state borders to allow travel across the country for Christmas. Yet the recent example of an unexpected outbreak in the city of Adelaide, followed by the sudden re-closure of some state borders, gives pause for those who may be considering interstate travel for the festivities. Once over the border, they may find themselves stuck in quarantine or unable to travel back home if there is an outbreak.

The insistence on continuing to celebrate Christmas ‘as usual’ and even to commemorate the first year of COVID with customised decorations is understandable. Prolonged uncertainty and fear are hard to live with. People are desperate to return to ‘normal’ and to engage in the usual celebrations with family members and close friends. Purchasing and displaying COVID-themed decorations is a way of acknowledging that we have all gone through a very difficult year, with losses of many kinds: not just in terms of deaths of loved ones or going through severe illness that for some has caused continuing debilitation, but also the usual rites of passage, celebrations and regular gatherings that give people joy and hope. The Christmas festival, after all, began from European pagan rituals centred around warmth, light, feasting and hope conducted in the dead of winter, when darkness and cold reigned and few signs of life were evident in the natural world.

Pandemic decorations may be the only way some people can celebrate Christmas safely, while also celebrating surviving this first ‘annus horribilis’ of the post-COVID world. As one Christmas bauble has it: ‘2020 sucked – yay Christmas!‘.

Image credit: Marco Verch. CC BY 2.0. Available from Flickr

Recordings of talks I’ve given this year

While we all have our bugbears with giving talks on Zoom (or equivalent), one benefit is that they are often recorded so that people who are interested but can’t make the live event can view the presentations later.

Here are links to recordings of presentations I’ve done recently.

Australians’ Experiences of the COVID-19 Crisis: Emerging Findings from a Social Research Project (UNSW Sydney, 19 August 2020)

COVID Life Narratives: A Sociomaterial Approach (University of Sorbonne, Paris, 4 September 2020)

More-Than-Human Data Intimacies (University of Turku, Helsinki, 23 October 2020)

Registry of Australian social research on COVID-19

IMG_1864

Photo credit: D Lupton

 

I am doing lots of COVID-related projects and so are many other Australian social researchers.

Here’s a registry of these projects I have compiled – please add yours if it is missing. Registry of Australian Social Research on COVID-19

 

 

Topical map of COVID-19 social research literature

I have been busy checking out the explosion of peer-reviewed articles published recently in social science journals on the COVID crisis. I located over 120 such articles, and have conducted a rapid topic mapping process to support my own COVID-related research.

In case anyone else might find this document useful, it can be accessed here: Lupton – Map of Social Research on COVID 19 July 2020 (updated version 20 July 2020).

COVID society – some resources I have put together for social researchers

 

photo-1584127050037-746c151b9284

 

Over the past fortnight, I’ve put together a few open-access resources concerning what an initial agenda for COVID-related social research could be and research methods for conducting fieldwork in the COVID world.

Links are below:

Doing Fieldwork in a Pandemic (Google Doc crowd-sourced resource)

Social Research for a COVID and post-COVID World: An Initial Agenda (blog post)

Conducting Qualitative Fieldwork During COVID-19 (PowerPoint slides) (Webinar presentation with voice and slides)

 

Photo credit: Daniel Tafjord on Unsplash

 

Digital Food Cultures book now published

Digital Food Cultures cover

 

My latest book, Digital Food Cultures, co-edited with Zeena Feldman, has now been published with Routledge, as part of their Critical Food Studies Series. The abstracts and authors of each chapter are listed below. A book preview on Google Books is available here.

1. Understanding Digital Food Cultures: Deborah Lupton

This chapter introduces the book and provides a comprehensive overview of previous scholarship on digital food cultures. The five main themes into which the twelve other chapters are grouped are identified: bodies and affects; healthism and spirituality; expertise and influencers; spatiality and politics; and food futures.

2. Self-Tracking and Digital Food Cultures: Surveillance and Self-Representation of the Moral ‘Healthy’ Body: Rachael Kent

No longer defined in opposition to illness, ‘good’ health as representative of lifestyle correction has become a central discourse in international health promotion strategies for many decades.  This neoliberal discourse positions the citizen as a consumer, who self-regulates to make the ‘right’ ethical decisions in the management of individual self-care. Social media are key platforms to represent such ‘healthy’ lifestyles through the surveillance of food and consumption practices, as well as other health-related content. Through a critical discourse analysis of semi-structured interviews and guided reflexive diaries, this chapter explores how practices of food and health self-representation on Facebook and Instagram, and through the use of self-tracking apps, enable the performance of a moral ‘healthy’ body and identity, constructed by participants through carefully balanced inclusion and exclusion of ‘healthy’ and ‘good’ versus ‘bad’ or ‘cheat’ foods and lifestyles. The empirical findings explored both the qualitative and quantitative self-representations and practices of self-tracking in managing the body and health. Over time, however, the burdens of tracking health behaviours and the self-regulation promoted by these technologies tied health and lifestyle to ethical parameters of ‘good’ and ‘bad’ behaviours, influencing participants’ sense of wellbeing and mental health.

3. Carnivalesque Food Videos: Excess, Gender and Affect on YouTube: Deborah Lupton

Food-related content features highly on YouTube. Some genres of YouTube food videos go beyond ‘how-to-cook’ content by focusing on practices of excessive and transgressive preparation or consumption of food: or what I characterise as ‘carnivalesque’ food videos. In this chapter, I take up feminist new materialism theory to examine the ways in which these videos draw on gendered concepts of food and embodiment, and work to generate and circulate powerful affective forces. In my analysis, I present two case studies of carnivalesque food YouTube videos: the ‘cheat day’ videos created by fitness and nutrition influencer Stephanie Buttermore and the cooking videos that feature on the ‘bro’-style Epic Meal Time channel. I contend that the expression and appreciation of excessive food preparation or consumption in these videos offer a way for content creators and their audiences to express and celebrate their longing and desire to indulge in the fantasy of revelling in the sensory delights of forbidden food with no guilt or shame. Simultaneously, however, these videos reproduce sexualised stereotypes of hyper-femininities and hyper-masculinities and surface forceful affective undercurrents of anxiety and ambivalence concerning excessive or ‘wrong’ food consumption, revealing the fraught nature of contemporary digital food cultures.

4. You Are What You Instagram: Clean Eating and the Symbolic Representation of Food: Stephanie Alice Baker and Michael James Walsh

Food and dietary choices operate as a central mode of identification, a way to define the self in relation to what we consume. These modes of identity are increasingly communicated on Instagram, using digital photography to present the self visually online. In this chapter, we explore the meanings and discourses around ‘clean eating’ on social media. We perform visual content analysis of food images on Instagram to examine the social and cultural meanings of clean eating and food. Drawing upon and developing cultural approaches to social interaction, we employ the concept of the ‘affirmation ritual’ to understand how status and identity are established online. We argue that eating practices and preferences are displayed on Instagram to represent an ideal self to one’s social network. Despite the capacity for user-generated content to resist and reframe social identities, we contend that the curation of clean eating practices on Instagram reinforces the relationship between diet, status, gender and identity.

5. Healthism and Veganism: Discursive Constructions of Food and Health in an Online Vegan Community: Ellen Scott

The digital realm is a crucial site of discourse and meaning construction for vegans. Online forums are popular vegan spaces, where much discussion concerns the supposed health benefits of vegan diets. In this chapter, I take a cultural sociological perspective, which acknowledges food and health as symbolically embedded with significant cultural meanings. Discourses of food and health within a popular vegan discussion forum are analysed and found to significantly align with ‘healthism’, a moral imperative for health.

6. Working at Self and Wellness: A Critical Analysis of Vegan Vlogs: Virginia Braun and Sophie Carruthers

The idea of eating a particular restricted diet for personal health and wellbeing, or environmental, or ethical and/or religious/cultural reasons, has a long history. Recently, very restrictive eating approaches – such as paleo, clean, and raw diets – have gained traction in and beyond the west. The context for these differs quite radically from previous eras: digital and social media cultures and online modes of dissemination provide an accessible, potentially democratised space in which to present narratives of food, ‘healthy’ eating and the self. Veganism appears regularly in social media, but as a mode of restricted eating potentially occupies a different space. With an interest in the ontological, identity and socio-political work done around such ‘wellness diets,’ we analyse vegan vlogs on YouTube as a digital site of food meaning-making, demonstrating that popular producers – mostly white women – locate their practice primarily within health and wellness discourse, in contrast to more socio-political framings for veganism.

7. A Seat at the Table: Amateur Restaurant Review Bloggers and the Gastronomic Field: Morag Kobez

Digital media have enabled amateur food bloggers to make a significant contribution to the gastronomic field in recent decades. As a prominent subset of foodie culture, ‘serious leisure’ food bloggers construct public identities and participate extensively in the discourse around restaurant dining. This participation encroaches on the discursive territory previously occupied by a small number of elite professional food critics, creating a hierarchy of cultural intermediaries in a larger and more contested gastronomic field with diffuse boundaries. While amateurs continue to take cues from professional critics, evidence shows that they apply robust ethical standards in their work. Evidence also demonstrates that they are motivated by passion and enjoyment, rather than being driven by commercial considerations – despite assertions by professionals to the contrary. As such, they may be considered agents and cultural intermediaries in the gastronomic field, alongside professionals. This marks a profound transformation of the field brought about by the proliferation of online and digital media.

8. I See Your Expertise and Raise You Mine: Social Media Foodscapes and the Rise of the Celebrity Chef: Pia Rowe and Ellen Grady

In the post-truth era reflected in much of the contemporary media and political landscape, there has been a rise in the number of self-proclaimed health experts, utilising social media to promote their views. Anyone, regardless of their professional background, can occupy this space. As an example, some ‘celebrity chefs’ actively construct and mediate discourses about both ‘good food’ and who should be trusted as authorities on the topics of nutrition and health. While overtly appearing to promote good health, these experts can publicise potentially harmful messages, particularly when their influence in public health debates can surpass that of qualified health practitioners. Australian celebrity chef Pete Evans exemplifies this new development. Best known for his paleo diet advocacy, Evans repeatedly challenges the Australian Dietary Guidelines (NHMRC 2013), seeking to replace them with his own. Using illustrative examples from both Evans’ own Facebook posts, as well as from mainstream media coverage reporting on Evans over a one-year period around the publication of his controversial co-authored book Bubba Yum Yum, we examine the self-construction of expertise in the digital age and discuss the celebrity influencers’ role in the contemporary landscape of mediated food governance.

9. ‘Crazy for Carcass’: Sarah Wilson, Foodie-Waste Femininity, and Digital Whiteness: Maud Perrier and Elaine Swan

In this chapter, we examine the food waste blog posts of Sarah Wilson, an Australian anti sugar and domestic food waste avoidance author and campaigner. To date, feminist food studies and food waste studies have neglected the digital representations of food waste and femininity, and in particular, intersections with class, race and whiteness. Our analysis shows how Wilson constructs what we call a foodie-waste femininity that mobilises repertoires of white bourgeois control, discipline and purity through her visual and verbal texts on her blog and her response to a Mail Online article. We show the ways in which Wilson’s foodie waste persona and the scorn it generates is premised on the racialised and classed histories of hygiene and cleanliness and of leftovers as contagious and contaminated, rendering her foodie waste femininity as fragile and unstable.

10. Are You Local? Digital Inclusion in Participatory Foodscapes: Alana Mann

The local food movement is the target of considerable critique for its failure to include socially excluded groups and individuals who experience systemic barriers to food access in its activities and concerns. Digital applications promoting local food frequently mirror what Prody (2013) refers to as the ‘monocultural rhetoric’ of the movement, which ignores cultural and socioeconomic differences and ethical issues concerning local, and global, food production systems (see also Moore & Swisher, 2015). This chapter presents a case for digital platforms and practices that not only challenge popular local food framings that reflect middle-class values and proclivities but also address wider questions of food justice. I argue that while digital technologies accelerate the capacity of food-sharing ecosystems and other food distribution platforms to contribute to community building and social connectivity, they rarely incorporate the voices of the most food insecure who often experience severe and multiple disadvantage and social exclusion.  A better understanding of the relationship between digital and social exclusion can inform the development of technologies that build the capacity of food insecure individuals to develop connectedness and engage in the co-creation of participatory foodscapes in their communities.

11. Visioning Food and Community Through the Lens of Social Media: Karen Cross

Food consumption has long formed an important part of community making and this is apparent also within the development of digital food cultures. This chapter provides a specific case example of urban regeneration set within the region of South London, demonstrating how digital identities and practices infiltrate the market space. In the chapter, I reflect on some of the problems that arise in the popularising of alternative food networks and their role in the reconstruction of community-based forms of consumption. I interrogate in particular the urban investments of new networks and market spaces and consider how they impact on community-based food consumption. Reflecting on how the language and aesthetics of social media provide a new frame for ‘visioning’ food and community, my discussion also considers how network imaginaries contribute to local planning and policy-making strategies and the wider implications these have for the future of food and community.

12. Connected Eating: Servitising the Human Body through Digital Food Technologies: Suzan Boztepe and Martin Berg

Over the past few years, a new breed of digital food technologies has emerged. Utilising interconnected sensors, photo recognition, machine learning and artificial intelligence, these technologies provide so-called smart recommendations on eating right based on perceived individual needs. Using critical content analysis, this chapter analyses the ways in which three digital technology businesses present themselves and their offerings online. In so doing, we examine their marketing materials, such as websites, to unpack the underlying assumptions of their creators and the projected relationship between digital food technologies and healthy eating. The findings show that the business logic of digital food technologies induces servitisation of the human body through constant flow of food data. This logic favours and promotes an understanding of the human body as an entity that could be optimised through perceptively accurate nutritional data and standardised food. How this in turn prescribes highly personalised and controlled eating practices is discussed.

13. From Silicon Valley to Table: Solving Food Problems by Making Food Disappear: Markéta Dolejšová

From cooking, shopping, and growing to dining and dieting, digital technology has become a frequent companion of our day-to-day food practices. The diversity of products and services available on the food-tech market is broad, ranging from smart kitchenware to diet tracking apps and ‘biohacked’ food products. Investments in food-technology innovation are led by the corporate sector of Silicon Valley ‘foodpreneurs’ who started designing solutions for everyday food problems as well as complex food system issues. These food-tech solutions present opportunities for efficient food practices but also challenges to existing sociocultural frameworks of food production and consumption. In this chapter, I illustrate such contradictions through the example of Complete Foods — a powder-based food replacement originating from the Silicon Valley startup realm that enables quantified data-driven control over one’s diet. I discuss my three-year ethnographic study of the Complete Foods community and outline the risks and opportunities that the diet presents to day-to-day lives of its members. I frame my findings within the Silicon Valley food-tech innovation context.

 

 

 

 

 

 

Call for abstracts – special section on ‘Sociology and the Coronavirus (COVID-19) Pandemic’

For those people who feel they might like to contribute their expertise and insights, please see this call for papers for a special section of Health Sociology Review I am editing on sociology and the coronavirus. This is a fast-tracked process designed to get important insights out as quickly as possible.

Health Sociology Review Special Section – Sociology and the Coronavirus (COVID-19) Pandemic

Call for abstracts

The current pandemic is unprecedented in modern times. In view of this, Health Sociology Review (HSR) (Q1 journal) has asked Professor Deborah Lupton to guest edit a special section of a forthcoming issue of the journal on Sociology and the Coronavirus (COVID-19) Pandemic. The emergence of this new virus and its rapid transformation from an epidemic localised to the Chinese city of Wuhan late in 2019 to a pandemic affecting the rest of the world by March 2020 has caused massive disruptions affecting everyday lives, freedom of movement, workplaces, educational institutions, leisure activities and other aspects of social relations across the globe. Many societies have been suddenly faced with the challenge of limiting the spread of the virus to prevent over-load on the healthcare system, often involving significant societal changes such as social isolation measures and travel bans.

In response to these widespread and dramatic changes, HSR will provide a forum for sociological commentary, with a rapid paper submission and review process to ensure that papers are available as quickly as possible. Submissions to this special section are invited. All intending contributors will need to submit an abstract to Professor Lupton to be considered. If they are given the go-ahead, contributors will need to meet the timeline for submission. All full submissions will be peer-reviewed via the usual reviewing processes of the journal and submission does not guarantee publication.

Length and style of submissions and timeframes for this special section have been designed to facilitate rapid review and publication. All accepted pieces will be published online first as soon as they are finalised for publication and then collected in the special section in an issue of HSR, accompanied by a short introduction authored by Lupton.

Pieces need not be standard sociological articles reporting on empirical findings. They can take a range of formats, including commentaries, theoretical/conceptual analyses, media or policy document analysis and autoethnographies.

All submissions must fit the following guidelines:

  • Must be no longer than 4,500 words in length (including abstract, references, tables, figures and endnotes).
  • Must address the social, cultural or political dimensions of the coronavirus pandemic, extending conceptual understanding of this crisis in health sociology.
  • Must make a clear contribution to sociological inquiry relevant to health, but may be informed by conceptual and empirical debates from a broader range of health and social sciences. All submissions must demonstrate methodological rigour, adherence to ethical research principles, and potential for contribution to knowledge in health, health care and wellbeing.
  • Must use the HSR citation style (TF-Standard APA).

To be considered for submission and review for this special section, please email an abstract of 250-300 words to Professor Lupton (d.lupton@unsw.edu.au) by 9 April.

Abstracts will be reviewed and by 17 April, a limited number will be selected to go forward for peer review for the special section. If selected to go forward, contributors must undertake to submit their piece for peer review by 15 May.